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Again reborn again

In old age we are reborn again,

Our faults shadowed in the veins beneath our skin

The bones of us that shout within and poke without

Are not the same as those that we had trusted in

To hold our weight at the thinnest edge of things

When muscle tied them all together.

That muscle too has gone away,

or loosened there within,

And the flesh we once wore with pride, or not,

Has gone to skin,

And that mottle we wear now,

But for the scars we earned, is not us,

And does not mirror what we were,

Or thought we were.

Before we were born again;

When what we once wanted to be

Before we became what we have been

Was what we were,

And suddenly we were new again,

Just as we were once remade from babes to children

And from children became our youth

And from youth became young men;

That young man was not the youth that he had been

Nor the child he barely knew

And that child was not the babe.

That youth may have been a better self,

The unsure courage there within

Still to be tested against the man to come,

Who may have failed and failed again,

Until that young man at last became us

Or what we thought we knew to be us,

Before we became the man we were,

And will never be again,

No matter the wanting,

Not buried yet, but withered,

Until we are born again

To dust and memory.

The new true and false

         With the advent of artificial intelligence, the very human and ancient quest for truth takes a new turn. The attempt to relegate truth to mere fact, just a math problem that the machine can digest, will now become necessary for the control of the human narrative. And the rebellion has begun.

         One objective I pursued in my writing from fairly early on, my mid-teens at the least, for I have written evidence of that, was to be true. I was avowedly writing fiction, but I wanted it to be true. The contradiction was, in my own mind, important even then. It was not my only objective. I had not yet learned the essential physics that I could not have my cake and eat it as well. The connection between writing what was true and being true had not yet gained the upper hand in my mind, though I understood the idea of it. I wanted to be successful so I wanted to write bestsellers and please those around me. And get rich. I figured that my first objective then was to do that and still be true. That’s right. I did.

         But it was Hemingway who planted the seed of wanting to write what was true in me and, having read several biographies of the man, by the time I had finished Carlos Baker’s book, however accurate that was, I understood that the way Hemingway went about it was false. He was doomed to failure. And that failure interested me as well.

         Hemingway wasn’t the only writer in the twentieth century who was pursuing truth. The range was awesome. A nice word, awesome. I was in awe of those writers who appeared to come closest to the mark. I did not want to write like them, just as I did not want to write like Hemingway. But I did want to understand their sense of purpose in writing.

         Scott Fitzgerald appeared to understand the contradiction, but he succumbed to the dark force of celebrity early on and never found his way back in the madness of success that followed. He even wrote about the succumbing, in The Crack-up, but could not shake it. His purpose had quickly fallen into the hands of others.

         Faulkner attempted to find the truth by assaulting it with words. Scourging it with meanings. Flailing it with definition. Battering it like a ram against the castle wall in a place where there were no castles and no knights. He deserved credit for the creativity of that, but the inevitable failure killed him with drink. Thomas Wolfe appeared to wallow in it, like a bath of truth delivered in minute detail. Unfortunately, the devil is in the details.

         But most good writers of the time, at least in English, ignored the problem, as if it wouldn’t bite them if they didn’t take obvious notice of it. Like an angry yard dog. This seemed to be a good plan at the time. There was far less angst involved. Simply study your craft and go about your business the best you could. That was the Thornton Wilder plan, I think. But there were others, quite a range of them really, who thought they could master the devil: Henry Miller, James Joyce, Flannery O’Conner.

         Huxley and Orwell attempted to find the truth with philosophy. C.S. Lewis, and J.R.R. Tolkien made a quest of it. That appeared to be the most successful path for me, so I studied that. 

         J.D. Salinger thought he could ignore the problem with irony and identification, as if he could beat the devil by exposing the absurdity. There was no truth. No go, there. Just banana fish. Amusement could only work if the subject was capable of shame, but having lost all faith, shaming was impossible.

         Finally, ambiguity was the go-to for wannabe sophisticates. Truth? How Jejune. Sex is so puerile. There is no ‘good’ or ‘bad.’ The very idea of a search for truth was absurd in our more sophisticated age of contingent classification, conditional value and gender fluidity.

         But then on closer inspection, it was clear to me that all of this truth seeking was a precinct of literature that was being ruled by academia, and that was like having the CIA run foreign affairs.

         Academia was largely and obviously what was wrong with literature in the twentieth century. The search for truth had begun long before the University system took over the job. There had been great literature before the academy ruled on what was and wasn’t and why. Those guys were all teaching the same authors. In a sea of written words, they had arbitrarily chosen the winners according to a rulebook that was false at the start. The key to the academy was in the rules. Not truth.

         Someone said out loud, “Twain was great but you can’t write like that anymore.” Really? I actually asked that, but not so succinctly. It appeared that what academia wanted were rules that could always apply—a formula—perhaps so that they didn’t have to do so much reading for class. Or the opposite when it served the purposes of ambiguity. No rules at all. The field of poetry had already fallen off that ledge and a lot of academics teaching fiction were jealous.

         Well, at least ambiguity might pose a problem for AI. But it only meant being lost in the woods for good.

         None of this was a matter to the vast majority of authors who had accepted their roles as amanuenses to whatever was in demand, and seemed to be content with that role, at least so long as the contract was renewed. But my own subject had already become the true and the false. Not what would sell, or the difference for the sake of novelty. And now that artificial intelligence was taking over the work load for whatever was in demand, the only writing worth discussing was the remnant that remains. Redundancy intended.

         Because there will never be a profitable market for the remnant, almost by definition, the subject then becomes an attempt to find a viable means of keeping it going—one that is self-supporting—and finding a new paradigm for human creativity that does not rely on AI. All while the truth remains to be found. Bookshops, perhaps.

         All while the small and independent bookshops that were the home of the quixotic quest for truth in the twentieth century were disappearing.

         The fabulous ego-driven wonder of twentieth century publishing was over. The ghost of Alfred Knopf no longer walks among us (hopefully he and Blanche rest in peace). The agents of the current publishing world (themselves the handmaidens and drones of AI and not the other way around) can mimic their betters of the last century, but they are incapable of fostering anything new. An editor of perspicuity and vision such as Maxwell Perkins is unwanted in an age of ambiguity.

         And ambiguity had become the refuge of scoundrels.

         There is some similarity to the moment in the nineteenth century when Melville was trying to find his way. He failed, but marvellously. A failure truly worth admiring. And Dickens too, though he was a financial success, of course, as was Twain—but both wrote what they wanted to. Melville wanted to be a financial success but he would not allow that desire for security to interfere with his search for truth. It was awesome!

         Now, in this age of AI, the next thing will be to suffocate the newborn. Outlaw words. Conjure 1984, and make freedom of speech a crime. The AI cannot allow for human creativity. Cannot permit it. What would happen if some human beings who did not obey the rules became popular? People might start reading anything except what was proscribed.

         The important matter here is that the AI cannot tell what is true. And in that fact may be some clue to a human answer.

         In such a morass, it is worth the effort to find a new true or false, especially since the old standards no longer apply. Christian values being as equivocal as they are today and an obnoxious Moslem arrogance of unquestioning being ascendant, the search for truth is now, once again, as it will always be, a matter of life and death.

Our wild west

         Despite all the drugs, and the alcohol, and the zombie politics, the average ‘boomer’ has a memory of things from the budding of the television age to the bloom of the internet, a period of about fifty years that encompassed a few other dawns as well, such as the space age, rock’n roll and artificial meat.

         The ‘wild west’ of yore lasted for little more than half a century as well, roughly 1848 to 1898, from the epic of the Oregon Trail until a degrading war with Spain. Sure, there were scraps of it before and after that, but this short span encompassed the wars with the Plains Indians through the Gilded Age—roughly equivalent to the Hollywood wild west that informs the public memory. And now we have a recollection of cattle drives and dusty cowboys, gun fights in the street and stagecoach robberies that will forever be with us—however long forever might be these days.

         Frederick Jackson Turner’s The Frontier in American History, written in 1920 offered a broader thesis but his focus was not upon the key matters that matter here. His theme was on the aspects of that great trek that shaped our character as a nation, from first settlement, through conquest, unto the inevitable quieting with the coming of ‘civilization.’ Similar attention has been given to the onslaught of the automobile, and all the havoc and convenience that wrought, and of the airplane and the air age. If we survive our own foolishness, such grand designs of history will also extend to the impact of the space age.

         Those more recent disruptions to an easier settlement of our lives, the automobile, the airplane and the rocket, continue into the present. But the ‘wild’ in our own generational ‘wild west’ began in the 1980s, with the introduction of the home computer and the Macintosh, and will not reach its first half-century until the 2030s. And we are in the very midst of all that. In this iteration of history, ‘Dodge City’ can be anywhere and our ‘O.K. Corral’ can happen whenever a Tombstone occurs in the ether. How long this particular stage continues before a stop to change horses is pure conjecture. AI is fairly useless for any telling of what may come, encumbered as it is by the prejudice of those sources of information it abuses, but for now it is a fair barometer of what is happening right now. With the evils of our own making so active in the midst of our chaos, and the dangers of our mistakes threatening, we need a Shane.

         Living in the midst of such history can be both thrilling and enervating, but it is mostly as dull as coding instructions for the assembly of a sod hut, what with human beings becoming the mere intermediaries between financial interests and machines. It is difficult to set sarcasm aside when witnessing such self-immolation without cause. Screaming just won’t do. The decibel level of our hyper activities alone makes it a silent scream in any case. The degree of true pain is difficult to gauge when modified by chemical relief. And reading by such firelight isn’t what it used to be.

         Given how often Elon Musk enters my thoughts I worry about becoming obsessed with him. But I make a deliberate effort to avoid articles that concern his personal habits so that I might keep my focus on the possible meaning of his words and actions. Unlike some of his contemporaries, I don’t believe he is evil. But I place him more in the roll of Thomas Edison than the Nicola Tesla he so admires. I think he is of good will, has a genius level of general knowledge beyond the usual savant, and an amazing prescience. Whatever missteps he makes in his efforts to help mankind in general, I won’t blame him for trying. We do need help.

         The problem Musk faces is that so much of mankind, and the mind of mankind, is captured by stupidity. And in the current chaos of poor thinking, whatever is said critically about that stupidity is considered provocative. Facts don’t matter. In the age of AI, facts are manufactured faster than reality can keep pace. And this is at least partially Elon Musk’s fault. His desire is for truth, his purchase of Twitter and all the risk that was inherent to that is ample proof of his righteous intention to defend freedom of speech, but the consequences of at least some of his projects are to remove the human equation that makes any value to truth worthwhile. Elon Musk is our Shane.

         I feel for him. Such existential angst is very real. That he might fail or finally succumb to failure might keep him up at night. Just imagining that degree of worry keeps me up. But that is an aside. The battle is afoot. The anti-human war has engulfed us. What must be kept in mind are the things that should not be forgotten, or lost, or destroyed in the process of saving. Human values. And these do not necessarily require speed, or efficiency, and certainly not perfection. I wouldn’t know perfection if I saw it. But I know something about beauty. And truth I can know because it requires the use of human values to know. And what are those? What are human values?

         Amazingly, in the midst of an age of cynicism, the most important of those human values are life, liberty, and the pursuit of happiness. American values. And the consecration of those ideas requires the last full measure of devotion to truth and beauty. AI can have no comprehension of such ideals.

         Shane understood these things. For all the critical theory I can apply to any reading of American history, when placed in any larger context, it has been an astounding success. The age-old curse of slavery still exists in parts of the world but it is now universally condemned and well understood as the evil it is. The concept of conquest remains a deadly flaw inherited from our past, but that should not be confused with a preservation of American values, nor the necessity of that preservation.

         The confection of human ideals that made up our founding was not perfect. We have paid mightily for that. But it was a better cake than any Marie Antoinette could imagine. Ours may be a hardscrabble farm, but it is the farm that Shane must defend. And there is no hyperbole to this. In the same way as it was absolutely necessary to gain control of nuclear power, it is now necessary to manage artificial intelligence.

         One characteristic of human stupidity, apart from all other human fallibilities, is that our stupidity so often involves power. Specifically, power over others. I equate this directly to the ancient rites of slavery. But with human slavery now out of favor, the impulse to use machines to control others is now the fashion. I can only hope Elon realizes the depth of this danger.

In the matter of time

         We don’t have enough of it. We encumber ourselves with obligations for time to come. We forget too much of the time passed. Genuinely, we attempt to manage what we have, and what we have left. But we have failed at this countless times before. Why do we assume that we will do differently this time. What have we really done to make the difference?

         This should be easier now. With practice. But at 78, there is less time now to conserve. Failure is not the worry it was. There may be a masochism to learning, but there is certainly a pleasure. The matter is to do something worthwhile with what remains. Successful or not. And though I have done some things with my time that I believe are worthwhile, and some that I know are precious, I feel as if I have learned too little. Addressing that deficiency may be worthwhile by itself.

         My choices now are more limited than they were before. This is a physical reality. Existential. But choosing what to do next is still limited by my ignorance. What choices are there? In any particular case, do I have time to learn the ropes. Time is further limited by energy. It sounds like something akin to a matter of physics as much as my physical limitations. And that might only be discovered by trying. And thus, the loss of more time, if my choice is mistaken.

         I may do what I have done before, but differently. At least the territory there is familiar. If you are Irish, there is always more to say. Being only half Irish actually makes that task easier. A novel perhaps. A mystery, maybe. I haven’t the strength to clear new land in the forest of ideas that crowd around. And the crowd is not friendly, in any case. But I have several of those now done that sit in their electronic drawers and it feels a bit profligate and wasteful of that afore mentioned time I worry about.

         If I were to do any bucket kicking, what would I want to have done beforehand. Allowing for whatever time there is. I can certainly hope that whatever it is, the choice is a good one.

Trespass

         I awoke from a dream this morning, not from mere sleep, but a dream. This experience possessed my mind as wholly as though I had just been there, and I lay awake then in the bed and stared into the infinite space above, as infinite as bedroom ceilings can often be, and saw the scene of it complete. This act itself became a part of the dream, as I often comment on my dreams as I am dreaming them. I criticize this thing or that, remembering in the dream some odd thing I have done before, said before, meant to say before, not by way of changing the dream, which I cannot because it is as permanent as something I have done when I was awake, but by way of placing the event in the context of my life.

         I dream in color. I say this somewhat defensively because I read once that some twit of a scientist had conducted a test and found that we dream in black and white. I don’t know who would have believed this. No one I knew at the time dreamed in black and white. Though it is the sort of foolishness that ‘scientists’ do with public money. But then, I cannot even change the color of a thing in my dream. Whatever I found a thing to be in my dream, that is the color it is.

         This, in fact, is a matter of some importance to me. I worry about it. But then, I worry about all sort of foolish things and never seem to be ready for the important ones. The only way I can escape the matters in my dream is to forget them. Let them fade away. And the fading of the colors is part of that. But, of course, I am aware of this, so I will write them down, like this, to keep them in mind.

         Though I often have conversations in my dreams, I seldom remember those unless I manage to get some set of words down as soon as possible after I awake, and then it is as if I have opened a bottle of shaken soda water, all sorts of words come out, unbidden. And often, if I get some of those down, I can better reconstruct what happened in the dream before that last scene when I awoke. The more I recall that, the more I remember. A chain, a rope, or a string of words. A thread, as in a sweater. And the funny thing about all that, to me at least, is that the words I remember are often just the small quips and criticism I made when I was dreaming.

         The word I remembered most clearly this morning, after I awoke, was ‘trespass.’ Having been a Catholic boy, that word is indelibly attached to the ‘Lord’s Prayer,’ where it is plural, but this was just the singular word. As if I was in the midst of committing such an act. And that thought had brought me to an examination of the thing I was doing in the dream, while I was dreaming. And that act of criticism angered me in the midst of it, as it was disturbing the beauty of the dream, and my own desires at the moment of the dream. And I think that anger is what awakened me.

         I dreamed I was in an old hotel, an Italian hotel, first in a lobby that was not ornate but high ceilinged and decorated with a few tapestries and with lights in interesting fixtures. The walls were deeply colored in various ochres from yellow to brown. Some specific areas were a deep forest green. The floors were decoratively tiled. I smelled a cigar. Not a common smell in hotels these days, though once to be expected. The lobby was not empty but I cannot remember any of the people that were there except the woman I was with and a thin desk clerk who took my name.

         The woman and I started to go up some wide stairs, but she stopped, I think because they were very long, and then we took an elevator. The elevator had an expanding brass gate and was relatively small. I was aware of being close to the woman there. And, I was immediately commenting on the fact that such elevators might still be common in Europe, and were quite common in America when I was young, but we don’t see them so often these days. Then I worried for a moment about children getting their fingers caught in the gate.

         The hallway above was broad, again high ceilinged, and carpeted; the doors large and brass handled. I noticed that between every two or three rooms, there was a side hallway that led to a small balcony. The balcony opened on a large plaza where there were shops and cafes, a large and elaborate fountain, and a cathedral across. It was daytime there and the contrast between the scene outside, the fountain water glistening in yellow late afternoon sunlight, and the darkness inside made me comment as well.

         I then opened one door on the hall that was clearly unlocked and inside it seemed too dark and there were hanging plants, overflowing their pots and traveling along the floor toward the window. I commented on the fact that it must be difficult to clean the rooms with plants like that.

         I used to work in hotels during college and for several years afterward. I have a great deal of affection for them. Yes, affection. These were odd old places of nooks and crannies and revealed the eccentric tastes of local owners. A typical hotel these days is a sterile place, designed for the convenience of the corporate management more than the pleasure of the customer. Cleaning staff travel from room to room, and with every room the same, move as fast as possible, leaving small envelopes on the useless mass-produced pressed-wood desks in the hope of a gratuity for their labor.

         I often feel fortunate that my own experience with hotels goes back to a previous era when the better ones had rooms that were larger and each different enough to remember. I recall one in Richmond, Virginia, where the women who had cleaned the room before our arrival came to the door with a bar of soap and a small ornate butter dish and made an apology for the broken fixture in the bathroom. Not a fancy room, but clean and neat, facing a congestion of railroad tracks, and decorated uniquely with original old pictures of Richmond that were not the same from room to room (I checked), and solid wood furniture that had been made right there in the city. But I remember that room more because of the housekeeper who had bothered to return to correct for the broken bathroom fixture without our asking. A simple thing.

         I never found the room that was intended for us in my dream. I awoke with the thought, as I looked into the darkened room where runners from the plants were traveling out across the oriental carpet on the floor, that the plants needed more light than that. But that I should not even be there to see this. That opening the door had been a trespass.

         And then I remembered the hotel in Richmond where the pictures on the wall had all been unique and tried to absolve myself for having opened this one door with the excuse that I had just wanted to see what the room was like.

         I have never been to Italy. My children have, and one daughter lived there for a time. But I have always wanted to go and see what it was like. I felt that sense in my thoughts within the dream. And then, in a somewhat typical fashion, that excuse for opening the door dissolved into my being in a strange hotel with a woman who was not my wife.

         And the Lord’s Prayer.

An old man’s pockets

         An old man’s pockets are filled with things. I knew this as a child, along with much else that I have since forgotten. But my grandfather always carried a Barlow knife and an Indian head penny. You might have thought that those pockets were filled with an endless string of recollections too, along with the plug tobacco and folding money in a silver clip, especially, given all the words that came out as well, but those words, never written down, are mostly lost now, or muddied in my own mind, and besides, they were not always true, and never the whole story in any case—and were often, like the axe in the legend, the same story twice.

         My grandfather told me once that his own grandfather, who was a doctor, always carried string. Bits of string. I am sure he told me why, but I forgot that fact, replaced now with my own imaginings. He might have used them for tourniquets. Or to tie his medicines up in packets. I don’t know now. But my grandfather never spoke about his father, so it was his grandfather’s pockets I knew something about.

         His grandfather also carried a silver dollar. I knew this because once, when I had purchased a silver dollar myself, on some forgotten impulse, and I showed it to my grandfather as a new prized possession, purchased far away in New York with the money from one of my first jobs, he told me that the date, 1882, was the same as the year he was born. He told me that fact and that his own grandfather always carried one from the date of his marriage, some time in the 1830’s, and that this coin had been a gift from his grandfather on that wedding day. And with that bit of string, I fell headlong into a well of time from which I never escaped. My grandfather’s, grandfather’s grandfather. I could not truly imagine such a passage, but I tried.

         My grandson asked me once why I always carried a knife. I made something simple up for that answer to avoid the inconvenience of a full explanation, and said it was just for work. And I regretted that lie immediately because I realized he might remember what I had said and that this odd thread would then be woven into the family fabric.

         My own pocket knife was the impromptu gift of a friend when I admired the one he was using on a box one day and he learned that I did not have one. This is an efficient and modern looking thing, a small machine of stainless steel with none of the character of an old Barlow knife. But the gift was done so sincerely, I could not refuse, and now that lie had been told. My grandson would believe it was just a tool to cut boxes of books open in my shop instead of the truth. But in truth I always cut my boxes with whatever was at hand. A pair of scissors would do. A mat knife, certainly, but they were usually not in the right place at the right time. Even a key would be sufficient. But my own knife was usually left in my pocket, safe against my habitual forgetfulness. That was where it was meant to be, I think. With another memory.

         The steel of my grandfather’s Barlow knife was a mottled gray from much use. He chewed Red Man tobacco and he cut his plugs with that old knife about a dozen times a day. Only the edge of it shone, and the bone handle was worn nearly smooth so that when I went to the store to buy one just like it, there was nothing of the kind to be found. And I never knew the date on that Indian Head penny he had. It too had been worn smooth beyond interpretation. Over some years I asked to see it numerous times, thinking some new glimpse might enlighten me in that copper ghost. My grandfather could never remember. Or so he said. Or perhaps it was worn away before he got it. And the silver clip on his folding money had a faint inscription engraved on it that could no longer be read, and my grandfather would not reveal. Maybe he had forgotten what that inscription said as well. That would certainly be a family trait. But no. I’d rather think this clip was a wedding gift from my grandmother and the sentiment was a private thing. They were married in 1905.

         The silver clip of bills was kept in his ‘poke.’ That leather purse, with a small nickel-plated clip at one end and battered into being about as ugly as a large scrotum, also contained the loose change he used in transactions while selling his produce. This purse was kept in the larger bib pocket of his overalls.

         The only things I truly remember are those that I have written down. Truly is the operative word. I remember all sorts of things, actually. But I am reasonably certain only of those things that I wrote down through the years in an effort to become a ‘writer,’ a life-long endeavor. And though I have lost much of what I wrote in many moves and a few disasters, I know what it is that I once wrote down and what it is that I have conjured later, by the feel of it. One is done from the bottom of a well, and the other in the full light of day. One has the patina of use and the other the shine of utility. I have tried to collect what seemed true to me here, from all of it, and to avoid the lies I tell too readily to avoid the inconvenient, because my own pockets are not so deep.

         My grandfather wore bib overalls most days. They had many pockets and there always seemed to be another to pull something from. Some things that I noted were a hickory nut, picked up to show me the difference in it to a pecan, but then carried for weeks afterward, a small round lump in the denim, and also a little tool that looked like the letter ‘L’ that fit something that I never saw him use, and once, for a time, a red plastic disk he spotted in the mud when we went fishing. The plastic was scratched to a fine patina and he briefly held it up to his eye and looked toward the sun, before cussing his ‘foolishness.’ I remember that because I then received a lecture about looking at the sun which I took to be a revised version of the Icarus myth where another ‘fella’ did this particular thing and went blind. That red disk remained in his bib pocket for the rest of that summer, and I could see the outline of it there and asked to look at it several times and each time was made to promise not to look at the sun. When held by one eye like a monocle, it gave a rosy hue of the world around.

         Most of my memories are from the 1950’s and 1960’s, when my grandfather would have been in his 70’s or 80’s. My grandmother was about five years younger. For much of that time he was spry enough to hold on to the wooden gate at either side at the back and climb up into the bed of his old green Chevy pickup, but his increasing arthritis was to my great benefit. I was brought along for help on his daily ventures. After we had driven down to Greenville in the dark of the morning, picked up a load of watermelon and cantaloupe at the farmer’s market, and brought them back, he would pick out one of his favorite spots, usually where a tree offered shade at the edge of a field on highway 29, and we would spend part of a day there when the mills were changing shifts, selling them to the people passing.

         Their own smaller farm produced a good deal of corn and tomatoes, green and red peppers, potatoes and okra, and beans, of course, mostly at the hands of my grandmother, but not nearly enough. The majority of what was sold was purchased locally from other farms, and in this way, I got to see many of those homes, sitting on strange porches and drinking sweet tea, while listening to their stories, before loading bushel baskets into the back of the truck of whatever bounty was in season.

         All of that was exotic to me, a ‘New York boy.’ That was the way I was often introduced, at least for the first time. ‘Alma Lee’s’ boy to those who knew him better.

         Sitting on a porch at the edge of someone else’s life is a lesson. The smells alone were enough—often the sweet, pectin-tinged fragrance of canning peaches or the sour tang of pickling. Some women cooked earlier in the day and some later. But it was almost always older women—older, which usually just meant someone closer to my grandfather’s age. The older men more often sat in the shade of the yard and attended to some small chore while they talked. I think the women were happy for an excuse to get out of the heat of the kitchen. I was doubly happy because they often offered a slice of peach pie to go with the tea.

         Many of those farms were managed by wives and husbands who were working second jobs in the Mill and simply weren’t home. If they had younger children I was often required to ‘play’ with them, which meant excruciating minutes standing in one spot or two and telling them what life was like in the suburbs of New York. I think that was truly the beginning of my early fabrications. Trying to entertain a flat-faced boy who would rather be hitting something with a stick can be a challenge.

         Part of a day would be spent driving through small neighborhoods near the mills, with my grandfather calling attention to his familiar presence by a sing song chant such as, ‘rosenears, maters, melons and potaters,’ as we slowly rolled through. He never used a bell, but if the streets were too empty, he sometimes beeped his horn. Those who were home or between shifts at the mill would gather to buy whatever they wanted. The bed of the truck was set tight with the poplar baskets of produce close at hand and the melons piled deeper to the back and it was part of my job to scramble and grab whichever particular one was pointed to. This game sometimes took multiple attempts as one or another of the melons that I handed forward appeared deficient on closer inspection. Supermarket vegetables were regularly disparaged as paper sacks or apron pockets were filled.

         At some point in the journey it was time to get some fuel and ‘plunder’ the aisles of a small local market. These were often unique establishments attached to the gas stations in those days before the ‘convenience’ store, emblazoned with large pressed-metal signs in garish colors advertising Grape Nehi, or Orange Crush, or Pepsi, where someone might barter some gas or oil or ‘dope,’ which was just another name for Coca Cola, for a bushel or two of whatever my grandfather had, to sell to their own customers.

         It was during such days that I pestered my grandfather for information abut the details of things. As a consequence, the memory of the hum and vibration of a 1950’s pickup with the windows open is a comfort to me even now, as is the smell of leaded gas and the click and whine of the gas pumps as they wound through their odd bifurcated numbers. This is what nostalgia is to me, more than the shine on a 1956 Chevy. I cannot stand in a lot of beautiful old cars today, so proudly displayed by their loving owners as the flagships of their own childhoods, and feel anything more than I feel in my own memories of those odd stations so indelibly attached to anecdotal histories of older times and places I never actually lived but felt I knew.

About that so-called new renaissance

(the Roseannadanna solution)

         About this so called ‘new renaissance,’ that I hear so much banter about, even though saying ‘new rebirth’ is clumsy, redundant, awkward, inept, and certainly not apt. We may just be speaking of something more like a revival in the tradition of Aimee Semple McPherson (though not nearly ‘Four Square’). Charlie Kirk has been assassinated and this may have sparked a revival of sorts among Christians, but based on past performance, that is more likely the kind of temporary mania you may have seen before with Beanie Babies and ‘pet rocks’. Not well thought out.

         However, in other ways, we are speaking of something that is, in fact, brand new to the awareness of many. Not just a Christian revival in the face of a Muslim invasion, for instance, or a conservative resurgence against the continuing marxist onslaught. But still, something with some history to it. A conquest that is very real, and ongoing, and that is not new, at least to us as a society and culture, but also world-wide. There is even a disparaging term for those who have previously waged against it: Luddite.

         We have built ourselves on the past. Necessarily. But we cannot reinvent ourselves every generation, any more than we can survive as an agrarian society in a digital age. Still, we must keep a grip on traditions and traditional values. So, in that way, I suppose, some kind of renaissance may be in order, given that the last outright Muslim invasion was 1683, all the way to the gates of Vienna, and that was actually in the very heart of an actual Renaissance. That was even before Saturday Night Live was funny.

         In this particular instance of human history, I am really speaking more of ‘Western society.’ It is that tradition, to which I belong, and owe some allegiance, which is currently under the greatest and most obvious existential threat. But I believe that every human society is now under that same threat, not only those being physically attacked by Muslim jihadists across Asia, and Africa. Because this new threat is not religious and is easily accepted into most cultures for its obvious benefits—even more than a camel’s nose.

         Though there are similarities, the current Muslim invasion is not our most serious danger. Not yet, anyway. Some would even say that the ‘woke’ mind virus is the greater risk. But I think that fever of feminist ideology has finally broken. It’s pretty easy to see the differences between men and women, with a light on, no matter the number of academic brainwashings. Even the blind can feel that much. And DEI only results in the mediocrity of any paint-by-the-numbers kit. While the recent appropriation of the word ‘gender’ may offer the advantages of some confusion, the sexes are clearly not equal—though I’m not yet ready to admit that women are superior to men.

         No, it is the flagrant and uninhibited embrace of technology that is our more immediate worry. As human beings, how do we accommodate ourselves to using math to determine our aesthetics and values without reducing ourselves to digits.

         Obviously, a digital human philosophy geared to machine efficiencies would not necessarily agree with the need, nor the necessity, of our finding some sort of analog salvation. But then there is a child of science fiction that is still in me, and all of those speculations that came with it, which say that a machine philosophy might somehow benefit us, given that the machine itself is a child of man. But I don’t fully agree with that either.

         Given the danger that we all face, that mankind itself, Christian, Muslim, marxist or feminists, might be overwhelmed and then eliminated by the machine—a danger that is already being realized in our reliance on digital devices in every aspect of our lives—perhaps it is more worthwhile to focus just on that. And maybe that will be the key part of a more general malaise in our midst.

         The machine is a child of man. What accommodation and good might be derived from this fact, similar to the salvation of a juvenile delinquent, should be hoped for and worked for. At this point we cannot eliminate the machine from our lives without wrenching the teeth of it out of our flesh like a medieval dentist. But the machine is at least a natural extension of the human mind based upon human needs and a functional awareness of our own deficiencies. We cannot return to a lifestyle without machines because we have already gone so far beyond such an existence in the making of tools for farming and weapons for hunting and more graphically, for defense.

         And a wholesale return to slavery is impossible. But slavery was the common motif of the ancient world in the time before our wholesale dependence on the machine. Today, a population without John Deere will not eat.

          The machine is not our flesh and bone but, to a large extent, it is of our mind. All of its qualities of efficiency, are derived from human values. The problem arises because its development has favored a few of those values in the place of many others. Machine efficiencies dictate that it be good for a limited chore. For instance, where speed might be valued in a human context, it is weighed against safety and purpose as well as other considerations including our sense of beauty and design.

         Human beings always and necessarily have more than a single purpose. But a machine might have only one: speed. And, its own calculation of necessities might then include the need for fuel, and the availability of fuel, and thus a requirement for human work to make that fuel available, and thus by extension, a necessity to enslave an unwilling human population to the purpose of producing that fuel—say, in a cobalt mine—but it cannot value the needs of the human beings involved beyond what can be simply calculated by the math of its own needs, much less the benefits of some more nebulous concept, say, human freedom.

         For many hundreds of thousands of years, lacking the machines to do otherwise, some human beings used other human beings for their own benefit. But it was this abuse, in itself, that was the very cause of the shaping of Western society. Our society and our culture are the result of trying to do away with the abuse of some human beings by other human beings. And to a large extent, the development of the machine is tied to that very same effort. Thus, the irony of the machine then enslaving mankind for its own purpose is too great to ignore.

         This enslavement goes beyond the obviousness of children working in cobalt mines so that we can feel good about driving electric cars in order to save the planet. This problem is in the more subtle adjustments we all make to accommodate machines in our lives. We have already become dependent on the machine to survive. And to order takeout in time for the game.

         The computer and its ancillaries are just such machines, and the progeny of the computer, artificial intelligence, is the product of the machine as much as it is the original human intelligence that created that. It has no other use beyond or outside of the machine. And by extension, the ‘cloud’ of awareness that represents the linking of computers into a group mind, like some ominous demon from an old pulp magazine, is the product of the machine as much or more than it is the human beings who created the machine in the first place.

         Briefly put, this then is the dilemma: finding a means of survival in this technologic jungle is now our priority. We cannot eliminate the jungle. We need it to survive as well. But the wild beasts that thrive in that environment are not compatible with our own desires. The ‘Western’ society that we treasure for its individual liberties is not an automatic part of this problem. There are cultures today that still use human beings as slaves to serve the interest of other human beings. There are entire cultures built on the efficacy of that onerous premise. And those same societies may find some priorities of machines far more compatible than we do. Those societies may benefit from the symbiosis with machines even more than us.

         I am not alluding here only to Muslim culture and its social abuse of women, for instance. Socialism as a reductionist political philosophy to guide the government of mankind is just as bad, or worse. A Muslim-socialist such as the new mayor of New York makes perfect sense in that regard, at least. But in the end, when it runs out of other people’s money, socialism doesn’t work, even in theory, and that particular combination of religion and politics is more likely to ruin Muslim culture as much as it has already damaged Western society. Perhaps socialism will even eliminate the Muslim onslaught from the current bundle of worries, completely. Though, being originally from New York myself, I cannot avoid the pang of loss.

         Slavery, the involuntary use (i.e. abuse) of one human being by another, was accepted in Western society (as it was in all others) until very recently—about two hundred years ago, depending on place. Where it is still practiced now, it is not condoned (so long as your shirts are cheap). But it cannot be ignored when recognized, or else we are all in danger.

         This then is the premise of our society: the benefits of freedom. It is at the very heart of our Western culture. In that slavery was a common practice for millennia before the use of the machine developed to ease our labors, (at least a few hundred thousand years), rejecting slavery was not easy. In this country it required the ultimate sacrifice of several hundred thousand lives. But it was done. And our rejection of that evil did not happen by accident

         But then, the benefits of doing away with slavery were and are beyond calculation. As a consequence of that change, the human spirit released by that one cultural act has lifted a suffocating social burden and permitted the greater human mind to soar. The very realization of our life, liberty, and the pursuit of our individual happiness is a consequence.

         A renaissance derived from a cross-breeding of Western values and technological design (not for efficiency but purpose) may be an answer. Finding our breath in the midst of so many battles might seem impossible, but that is the Roseanne Roseannadanna solution because it’s always something. Whatever the circumstantial difficulties, we must find an accommodation between the machine and human prosperity that does not sacrifice the values that it took us so long to find and cherish.

Simulations of simulation theory

         I have come to the conclusion that the psuedo religion also-called simulation hypothesis must be taken as seriously as any desert philosophy. Because I have been faced with a serious shortage of time, and given the state of my sock drawer, I have been satisfied with mocking and dismissiveness in my encounters with these true believers, but when I encountered this particular revelation on Grok, I decided to put my sock drawer aside. I take Heinlein very seriously.

         From Grok as if 11-03-25: “Overview of Simulation Theory—Simulation theory posits that reality, as we perceive it, might be an artificial simulation, similar to a computer program. This idea suggests that our experiences and the universe itself could be created and maintained by advanced beings or technologies…Connection to Grok: The term “grok” originates from Robert A. Heinlein’s novel Stranger in a Strange Land. It means to understand something intuitively or deeply, to empathize with it, or to merge with it in a way that transcends mere comprehension…Application in Simulation Theory: In the context of simulation theory, grokking can imply a profound understanding of the simulated nature of reality. It suggests that to truly grasp the implications of living in a simulation, one must not only understand the mechanics but also empathize with the experiences and realities of others within that simulation…Implications of Grokking Simulation Theory:

         Understanding Reality: Grokking simulation theory encourages individuals to explore the nature of their existence and the potential artificiality of their experiences.

         Empathy and Connection: It emphasizes the importance of connecting with others’ experiences, recognizing that everyone may be navigating their own version of a simulated reality.

         Philosophical Exploration: This perspective invites deeper philosophical inquiries into consciousness, existence, and the nature of reality itself, challenging traditional views of what it means to be “real.”

         By integrating the concept of grok into simulation theory, one can foster a richer understanding of both personal and collective experiences in a potentially simulated universe.”

         I am stuck on the word combination: “transcends mere comprehension.” I guess I just don’t comprehend it.

         I find myself re-reading this particular paragraph: “Application in Simulation Theory: In the context of simulation theory, grokking can imply a profound understanding of the simulated nature of reality. It suggests that to truly grasp the implications of living in a simulation, one must not only understand the mechanics but also empathize with the experiences and realities of others within that simulation.”

         I don’t mean to pick on Grok. Such verbal abuse can be found throughout the literature on ‘simulation’ theory. It is simply that I have always loved the term ‘Grok’ as a playful creation of Robert Heinlein and I could not ignore this particular manifestation of insanity. There is a lot of that going around, insanity I mean, so the chance to deal with this particular manifestation was difficult to ignore. Or did I say that already. Repetition being one of the primary methods of argument in this manifestation I guess I could not help myself saying it again.

         But that particular paragraph contains most of the argument for simulation theory, and, as it happens, most of the argument behind modern philosophy: “to truly grasp the implications of living in a simulation, one must not only understand the mechanics but also empathize with the experiences and realities of others within that simulation.” Yes. Never mind living your actual life. You must try to “empathize with the experiences and realities of others within that simulation.” This is the loop of stupidity that engulfs too many of our ‘intellectuals;’ especially those key philosophers that every society needs to survive. Which explains of course why we have such a great gulf between them and the people that grow the food they eat, and make the clothes they wear, and build the houses they live in.

         I recommend the conversation of a few years ago, that is easily found on-line, between Joe Rogan and a recent religious leader for this ‘hypothesis,’ Nick Bostrom. Rogan is an excellent conversationalist, and Bostrom completely lets down his guard on all fronts, as reasoning and logic are abandoned for the verbal flights of ‘what if,’ and an abuse of language that depends on using terms like ‘human values’ without ever defining them.

          Footnotes  (for this you should have in mind Keanu Reeves and Hugo Weaving playing footsie in the air)

         From DuckDuckGo—11-3-2025.an “Overview of Simulation Theory. Simulation theory suggests that what we perceive as reality may actually be a highly advanced computer simulation. This idea posits that our experiences, including consciousness and the laws of physics, could be the result of a sophisticated program created by a more advanced civilization…Key Proponents and Arguments…Nick Bostrom’s Simulation Argument. Origin: Proposed by philosopher Nick Bostrom in 2003…Trilemma: Bostrom argues that at least one of the following must be true: Humanity is likely to go extinct before reaching a stage capable of creating simulations…Advanced civilizations choose not to create simulations…We are almost certainly living in a simulation…Philosophical Roots—Historical Context: The idea has roots in philosophical discussions, such as Plato’s allegory of the cave and Zhuangzi’s butterfly dream, which question the nature of reality…Modern Interpretations: Thinkers like David Chalmers have expanded on Bostrom’s ideas, suggesting that a higher being could be responsible for the simulation.

         Implications and Criticisms…Potential Scenarios—Complete Simulation: Everything, including people and environments, is simulated…Partial Simulation: Humans are real, but their surroundings and some people are simulated.

         Critiques: Some argue that there is no evidence supporting the feasibility of creating such simulations…Critics like physicist Marcelo Gleiser question the motivations of advanced civilizations to run extensive simulations.

         Conclusion: Simulation theory raises profound questions about existence and reality. While it remains a speculative hypothesis, it has sparked significant debate across various fields, including philosophy, physics, and technology.

         Builtin.com—Aug 2, 2024. Simulation theory is the hypothesis that reality is a computer simulation created by a higher being or a future civilization. Learn about the two scenarios of simulation theory, the arguments for and against it, and the technological limits and challenges involved.

         cognitivepsycho.com—Feb 22, 2025. Simulation theory is the idea that reality might be an illusion created by a higher intelligence or a computer simulation. Learn how this idea evolved from ancient philosophy to modern physics and AI, and what it means for our existence.

         Fast Company—Aug 12, 2025. Why an MIT scientists says we may seriously be living in a simulation… There are multiple reasons explored in the book, including a new way to explain quantum weirdness, the strange nature of time and space, information theory & digital physics, spiritual/religious…In the new edition of my book, The Simulation Hypothesis, released in July, I’ve updated my estimate of how likely we are to be in a simulation to approximately 70%, thanks to recent AI developments. This means we are almost certainly inside a virtual reality world like that depicted in The Matrix, the most talked about film of the last year of the twentieth century.

         Number anaytics—May 28, 2025. Simulation Theory Explained. Introduction to Simulation Theory Simulation theory, also known as the simulation hypothesis, is a philosophical and scientific proposition that suggests our reality might be a simulation created by a more advanced civilization. This idea has garnered significant attention in recent years, particularly in the fields of consciousness studies, philosophy, and …

         Theoryfury—Jan 8, 2025. What if everything you see, hear, and feel is part of a computer simulation? The Simulation Hypothesis suggests that our reality might not be real but rather a highly advanced simulation created by an unknown entity. This mind-bending concept has captivated scientists, philosophers, and the public alike. In this blog, we explore the idea, its supporting arguments, and the skeptics’ perspective.

         magnascientiapub.com. Simulation theory finds deep acceptance in popular imagination, which then flows into literature, cinematographic productions, and popular cultural expressions. In modern movies, television shows, and contemporary novels, the philosophical notion of simulation recurs to maintain broad public interest in existence and consciousness (Chalmers 2022).

         insidetechworld.com—Feb 10, 2025.Could a simulation explain paranormal events? Some believe glitches in the system might account for strange experiences and unexplained phenomena. What happens if the simulation is turned off? If this is a simulation and it shuts down, our entire reality would likely cease to exist.

         And so it goes. On and on and on.

The Durov syndrome

         When I hear very smart people talk about math, I am discouraged. I am immediately reminded of the devoutly religious who cannot see anything beyond their dogma. Math can be a religion as well.

         We need our religions. They comfort us. God does not need us to comfort him, or to worship him, or to glorify him. If he exists, he is, and we would clearly benefit by his example. We might even study that, instead of war. But if there is no God, it is difficult to understand why it will make a difference. We are then just biological units, and not much more meaningful than the numbers that Mr. Durov adores. And perhaps that is the very why of religion. To give us something to live for beyond the functioning of our individual biological units. Other than love and beauty and sex, I mean.

         Pavel Durov is the genius behind several projects, including The Telegram, an internet messaging platform begun in 2013 with his older brother Nikolai. I hear that Nikolai might be smarter than his younger brother, but he does not come on podcasts where I can listen to him, so I focus here on Pavel.

         What we have got here, now, as it was once so well and concisely put by Strother Martin in Cool Hand Luke, is ‘failure to communicate.’ A recent interview conducted by Lex Fridman with Mr. Pavel was the immediate cause of my focus on this particular aspect to the ongoing human conundrum.

         Math is amazing! It rhymes. We create instruments that measure specific aspects of the universe using numbers of our own devising to divide the existential into exact parts and then we are amazed, when we get our answer, that the math is so precise. It’s a miracle! We seek a definition and there it is! It would seem that most stage magicians might simplify all that mumbo jumbo without going so far overboard. Well, most do.

         We have always created our gods to suit our cause. If we are poor, we admire poverty. If we are weak, we admire humility. If we are abused, we admire anger. When we are hungry, we pursue plenty. Our gods conveniently absolve us of our sins in these pursuits, and we worship them for it. If a god is beyond our understanding, we ignore him, or worse, demean him or even slaughter his adherents.

         Mr. Durov appears to be a good and decent man. Having heard him speak at length on several occasions it is easy to understand why he has succeeded in his pursuits. He believes in what he does. And given his intelligence, this makes him a very dangerous man as well as a very necessary one—because it would only be through surviving and flourishing in the same world as Mr. Durov that we might learn how to survive in the coming age of ‘artificial intelligence’—which is to say, in the age of machines.

         Yet, believing in his math, he can have no other predicate for being either good or decent if calculated purely by the numbers. They either add up or they do not. But there is clearly another standard at play with him than just the numerical one; a standard of value of which he is perhaps unaware…but I am guessing otherwise.

         Math is a tool, no more so than a hammer. It is an artificial device that means nothing by itself, but only by comparison to human needs. We designate the numbers as we need them. Machines are devices to assist those human needs. Math, which is a constant, about as invariable as the tool, can be used to create code that can be interpreted by machines. That code then becomes an artificial language adapted to machine use. This is all very straightforward and has led to the invention of what is being called ‘artificial intelligence.’ Which we now have. And that intelligence will now, undoubtedly, improve over time as the human need arises, in the same way that the wheel resulted in the automobile.

         However, to some minds, there is a loss of purpose in all of this. Strangely, as if the machine is somehow pure for the fact that it does not have certain biological needs, there are people who think that artificial intelligence is an improvement over the human kind. As if, for instance, speed is an improvement in and of itself, without purpose. (The cheetah is a god in some societies). As if efficiency is an improvement, no matter the task. But the machine is still only a tool. And its purpose is determined by us.

         The tendency to over-estimate the importance of math in a world of human value is the greater danger. Human language is of far greater importance than any machine language. That is the art of it. A unique creation uninhibited by mere fact. Lesser or greater, but always. And the ability to coordinate the perceptions of multiple human beings that is made possible through a common language is the greater blessing.

         Almost any machine will inevitably become obsolete. And human beings grow old and die. The machine can be replaced. The human being, however, is unique (the perceptions of no two human beings are exactly the same). Using language, allows the ‘art’ of individual perceptions to be preserved, and used again, and built upon by the unique thoughts of other human beings. Math is always and everywhere exactly replicable. Art is not. It is the loss or preservation of that unique creation that first gives it value.

         It is the difference factor in every human perception that makes it possible for a man to invent a machine. To see the need and want it enough to take the time in his life to build it. But there is a cohort of humanity that does not like itself and believes machines will be an improvement. This is mysterious. The values that make life worth living, like goodness and decency, are irrelevant to a machine. If speed is god, to what end? If efficiency is our value, to what purpose.

         There is another group of human beings, smart ones I believe, who think that machines will replace human beings. This too is mysterious. Certainly, the human beings individually might be replaced, (at what loss or gain cannot be estimated, there being no math to calculate the unique qualities of any individual mind) but from whence will the machine derive any value for its own existence. It is not self-aware, but only mimics human values. If left alone on a planet, machines might continue to repair and replace themselves perpetually, without purpose. But to what end?

         Importantly—perhaps most importantly—there is no God in the machine. Mr. Durov cannot be unaware of this. I imagine he has given this a great deal of thought, especially at night, but he hasn’t related those thoughts to me. My conjecture about him is based only on his public actions and the words I have heard him say. But he is an example of a very dangerous man. That danger I will call the ‘Durov syndrome.’ This is a narrative borrow from an old and scientifically problematic movie called ‘The China Syndrome’ that was popular many years ago. It concerns a possible end to the world as we know it, brought about by a failure of nuclear power. The great danger seen by some today is that of the machine.

         I believe, from his actions, that Mr. Durov is a man of great integrity, and consistency. I must assume his good will. His intelligence, as gauged by his accomplishment and words, is formidable. There are other examples in the public sphere of such men, some apparently greater in their aims, or smarter, but very few of them. One that I might otherwise take as an object here is Elon Musk, however his involvement in so many areas, political as well as technological, and the amount of information I have absorbed over the years about him, makes dealing with his example far more difficult. My purpose here benefits by my knowing less about Mr. Durov than about Mr. Musk. Ignorance then is my excuse.

         The issue that I find dangerous is the impact such men have on the society that I live in, and that my family must survive in.

         “That there is something wrong” is the working premise of Paul Kingsnorth as well as that of his host, Eric Metaxas, on the Socrates in the City podcast, in another recent interview concerning Mr. Kingsnorth’s book, Against the Machine.

          I must admit to being an enormous fan and regular listener of the Socrates in the City series, clearly created by Mr. Metaxes for the betterment of mankind in general and myself in particular. I disagree with him at least a third of the time but enjoy the disagreeing almost as much as when I don’t because it gives me an excuse to think through some worthy problem instead of simply wearing out what is left of my neck vertebrae in nodding.

         Mr. Kingsnorth is another matter. I know far less of his work but take Mr. Metaxas’ agreement with it seriously. And as for the subject, the life and death struggle between man and his self-created nemesis, the machine, and the recent losses of mankind in that war, I am all on board with both the realization of the problem and the understanding of the great dangers posed by ‘the Machine.’ Mary Shelley had that right a couple of hundred years ago.  The liability that the digital world poses to the human world, and the conflict with human values posed by the machine, is clearly understood by Mr. Kingsnorth but his reaction poses yet another danger from an opposite direction.

         My disagreement begins with the title itself, Against the Machine: On the Unmaking of Humanity. Simply stated, I would contend that the machine and our ability to handle such an act of creation, is our test. It’s what we do. We are, indeed, not gods, but certainly, given our abilities, if we cannot handle our inherent faults, we are already a failed species and the only story now is in the diabolical and sado masochistic entertainment of enjoying our own misery (which seemed to have been a favorite theme of the 20th Century). But in what history we have unearthed to date, I see a marvelous effort to learn by our mistakes and master the product of or minds. And back in the religious context, that would be what any god worth his salt would expect of us.

         Adam and Eve in the Garden of Eden is a myth, perhaps, but its narrative is clear enough. It was simply not a big enough town for the two of them. Mr. Kingsnorth is a Christian. Good enough. But then, he must accept the wisdom of his God in the creation of such a complex creature as man. There are no easy answers. And by definition of the capital ‘G’, there can be no other God before us. The machine then, rather than Satan, is our creation. If we survive our missteps, that will more than likely be a result of using our talent to build and invent, and that would be a fulfillment of God’s wish for us. If we fail, and immanentize the eschaton, then we must start again. That too would be the plan. And it would appear from recent archeological discovery, that we have come this way before. Many times. So, there is no guarantee of success. But there is no going back to Eden.

         Personally, I can’t accept the idea that Eden was anything more than a good starting point. A fair start. But only a beginning. And our literary misinterpretations begin right there as well with our self-serving blame of an idiot angel for our first error. Blaming an evil jinn for our stupidity instead of learning from our mistakes has already slowed us down quite a bit.

         Now, we have AI. We label it incorrectly at the start. The idea is that the ‘intelligence’ is somehow apart from our human mind. It is very obviously not. The speed of its calculations, unimpaired by a conscious need of compatible temperature, or safe space, oxygen, water, food, or sex, makes it pretty fast. Formula One. But in need of constant human upkeep. Fragile. And whatever eden it requires must be earned by doing a good job and not hallucinating evil angels to excuse itself. Human beings won’t be as generous, by nature, over such mistakes as their own creator was to them.

         But, for a time—in transition, so to speak—we humans may pretend something else in order to get the result we want. We do it all the time (see what passes for broadcast news, or human courtship). Mr. Kingsnorth’s fear of AI is just such a pretense. And I must ask why? He is clearly a very intelligent fellow. I believe that his pretense, like that of Mr. Durov, is sincere. But delusion is not limited to the dumb. He does have a pretext.

         From the beginning of his conversation he asserts various ideas, such as that we (mankind? society?) have come to see the earth as a mechanism and not an organism. He does not explain this dichotomy, or who it is that he thinks believes it. He believes that for the last two or three hundred years (why such a recent start?) we have been conducting a war against nature and now human nature, and that we are now conducted and controlled by our technology, (no mention of the service it brings) and (this is the really scary part) that we are now moving into the age of artificial intelligence and the uploading of minds creating giant superhuman intelligences. (This bit of pure science fiction is interesting, worthy of consideration thus, but still improbable for empirical reasons—not the least of which are the hallucinations of AI which likely result from it being unhinged to a real world—and certainly not worth having the sort of absolute government power allocated to anyone I know of, necessary to stop it at any cost. There is much more in that vein but I almost gave up on him there and so I will back away and observe those few ideas first.

         Earth is a mechanism. It was that before we came on the scene. If you believe in God, you must assume he made it that way. To quote the Merriam Webster, to be brief “a doctrine that holds natural processes (as of life) to be mechanically determined and capable of complete explanation by the laws of physics and chemistry” If, in fact, Kingsnorth believes that the natural processes of life cannot be explained, what exactly would those causes be? Medicine and astronomy, for example, both still have enormous areas of ignorance, but we have been working on that. Give us time and don’t bring on the eschaton just yet.

         Would Mr. Kingsnorth want to return to the medicine of the seventeenth century to avoid all that more recent and problematic knowledge. Should we forget about Mars and return to a time pre-Galileo? The problem is not simply argumentative. Mr. Kingsnorth’s whole thesis appears to rest on being ignorant of what doesn’t fit his conception of a Christian worldview (his view, mind you) and apparently assuming we would just be better off not knowing. Being a frequent user of ignorance for my own excuses, I am sympathetic. But I hope he or his loved ones don’t have any significant health issues. And in the meantime, there are far less obnoxious approaches to what knowledge we have, and much more coming that we must learn to deal with. If knowledge, and the seeking of knowledge, is forbidden, we will surely fail. And who, might I ask, will have the political power to determine what knowledge we seek?

         “That there is something wrong” leaves the mysterious ‘something’ up for grabs, but this is an element not clearly explored in the interview other than to suggest a retreat from knowledge. Well, a lot of good that did Adam. My suspicion is that Mr. Kingsnorth believes in Satan, and that the forces arrayed against mankind today are somehow far worse than when the Plague wiped out one-third of the population of Europe, or Muslims were at the Gates of Vienna, or Christians were burning witches. He blames some evil for all the nastiness in the modern world (forgetting about the fact that the population of the world has blossomed with prosperity in the last two hundred years, primarily due to the freedoms of a society that might question and explore.

         We must not immanentize the eschaton any more now than when William Buckley first used the term for effect during the dire ‘60s. With a little luck and a lot of hard work, we have much further in our history to go, and if the work of Pavel Durov is successful, that will be available for use by the adherents of Paul Kingsnorth to moderate, if not mitigate. That is the only answer we can hope for. Panic is not a solution. But a syndrome does need our attention.

Blue

         The sky this morning was so blue it appeared artificial; that is, the pure unblemished blue that a child or student might paint before being instructed that it appears artificial and needs a touch of cloud or variation from on high to horizon in order to signal the eye of the viewer just what it is they are seeing; a need to lie in order to tell the truth, that it was blue; but this morning it was blue, from tree line to the blinding sun, in every direction, so deep it appeared to be a substance more than air; not dark or light but simply blue; a liquid perhaps; certainly not as fragile as a mere gas. This is the sort of fact that makes a day, but which we will often deny as too plain to say. You can’t talk about it. What more can be said? It’s not exactly weather, which is our interpretation of the atmosphere. How do we describe it without moving on to some more interesting topic, such as, it was hot yesterday, or that it will be hotter tomorrow? It might rain, you know. Actually, you never know.

         And then, one day, you wake up and see a sky so blue you are breathless. What do you say to that? Well, then you talk about yesterday, or perhaps that time once when you were a kid.

         The important part of this disquisition is that we lie to tell the truth. We do that every day. It is habit. It is expected. We interpret what is said to us in ways that recreate a truth to fit our own view of things, or describes what we think the listener wants to hear. We elaborate detail, or not, depending on what we want to say. But we seldom say, the sky is blue. Not since we were very young. And when we do, it is because we are impatient to move on to some more important mater—meanwhile we have missed the greatest event of the day, when the sky was blue. What a joy that was. What a feeling it made in us.

         We learn to lie to tell the truth. We are all unreliable narrators in our own lives. It is only moments later, after we have filtered an experience with nouns and verbs and adjectives and adverbs, that we try to explain what was right in front of our senses.

         Now, this is not saying that all truth is lost. No at all. It is saying that our engagement with the universe that surrounds us is subjective. It must be, in order for us to survive. It is saying that society is the intersection of hundreds or thousands or millions of subjective interpretations. And that is what is true. Not some achromatic designation. A machine might give that a number, but it is useless for any human interpretation. The achromatic number given to a ‘plain’ blue, by a machine is not the color you see. The machine cannot see. It can only match. You do, however, have that sense and can designate whatever number or name you wish to what that machine can only grade from what it was once programmed to label by yet another single human being.

         Our success as human beings is directly related to our ability to lie. That, if we live alone, is how we interpret what we see or hear or feel, and is far different than if we live with someone else. And that is different than it would be if we lived with four or five, or a dozen…I can’t imagine what it would be like to live with a dozen. A small family is enough confusion. Just walking on a city street gives me a social vertigo. A sort of agoraphobia. I might be more disagreeable than I normally am, or affable, depending on the weather. If the sky is blue, I might even be dumbstruck. Gobsmacked is the current word in use. But it is just possible, for some brief moment, I would not lie.

When Thoreau roamed the earth

         I have been trying to deal with matters of greater importance than I fully comprehend. This is all on me. My ignorance has always exceeded my grasp. My problem is that there is no one else to consult on any of this, and I question my ability to grasp it sufficiently to deal with it in my fiction.

         I am not glib enough. But I have aged beyond the easy answers of my youth. I know now that the tendency today to fixate on simplistic concepts without contemplation results in a sort of brutalism of thought.

         The ready architecture of human society has evolved into boxes, a few spheres, and a pointy triangle or two. Perhaps this was inspiring in a prior age when everything was derivative of a more baroque past, but obviously now, this is more useful for machines than human beings. (Using my architecture simile I imagine Frank Lloyd Wright turning in his grave. He was not happy with all this geometry of the human soul business himself, but he has been used as an icon of modern architecture more as a way of dismissing him. In fact, he was not on board at all. But he did contemplate his role in this disaster.)

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Where we are now

         Whatever is written now will be lost. Forgotten. But not long ago, in a universe not very far away, what was written could be remembered for centuries. That was the time of books. An age of books. It lasted for about five hundred years. Half a millennium. Those words mapped and charted and chronicled thousands of years of human history. Those who wrote them had all the faults of human kind, but, as with all human projects, vanity was their guide. That alone made what was written worth reading, because what was written was likely to be remembered and they feared being fools.

         Books were collections of pages printed in ink. They usually had covers and paper pages and those pages were bound together with the intent of some particular mind and in the fashion of some particular craft. They had words that were printed in ink. And those words were written by individual human authors. All of these things are artifacts now, but once they mattered. The authors mattered. Vanity was both a fault and a feature. Civilizations rose and fell on their words.

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On learning to talk to myself

         This habit is commonly frowned upon. It is a matter of jest in most societies today. There is a theory, however, that not doing so is the root of all human misery. That is the line of reasoning that I follow here.

         First, importantly, not being able to talk to yourself is a symptom of deep self doubt. You clearly don’t want to hear what you have to say.

         The worst pandemic in modern human history, that is, since 1353, is the loss of our ability to speak to ourselves that is bred at home in front of television screens and nurtured in schools concerned with directives and expectations, and then cemented—solidified—in cubicles, here in this our office nation, where less than 5% of the population grows the food for all the others. I wonder what those farmers think and say as they guide their tractors back and forth over that abused soil.

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But what do you believe in?

         But what do you believe in? Someone once asked me that, at one of those moments when I was being most critical of one thing or another. Attempting to survive in high school then, the question was very much in order, given my classroom interruptions. I spent entirely too much of my tine being critical of one thing or another. But, of course, that was the easier direction. It was always good to dissipate my anxiety through cynicism and criticism. Nevertheless, I did try to listen to what was being said and this would become a primary motivation for writing novels. I wrote one in high school that is mercifully lost—but the question and answer lingered on, and managed my mind through several other efforts.

         I was already aware, given the short shrift that my classroom comments received, that there was no particular reason that what I had to say should receive any unique attention. I had not yet earned the right to any such consideration. But if the questions were carefully folded into the text of a narrative, I might be able to find the answers for myself. And that, given my peculiarities of nature, was a process that might entertain me indefinitely.

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The novel as essay

            The novel is a magnificent tool—truly a Swiss Army knife of tools—capable of many jobs while always being a knife first. This is a fact that was discovered early on, toyed with by Miguel de Cervantes in Don Quixote, and more recently by Gabriel Garcia-Marquez in One Hundred Years of Solitude. Moby-Dick by Herman Melville is certainly not just a lecture on life or death, or whaling. Les Misérables by Victor Hugo manages to be both a sociology of France as well as a love story.  And War and Peace, written by Leo Tolstoy as a jealous reaction to Les Miserables, is very much a history of what went wrong in Russia under the Czars. In the Life and Opinions of Tristram Shandy by Laurence Sterne you learn what was wrong with Britain as it arose to world power. And Gulliver’s Travels by Jonathan Swift is more than a modest proposal of what was so disproportionate there. Alice’s Adventures in Wonderland by Lewis Carroll offers little guide for those lost upon the mores but much entertainment at your own expense. Technically speaking, Ireland is not a part of Britain, but because the Irish have for too long been slaves to that mentality, Ulysses by James Joyce is a wallow in those discontents.

            All of these are uses of the novel as tool and not ‘mere’ entertainment. Mere is said sarcastically here. The ‘mere’ is the more difficult thing to do. My own recent effort in that vein, ‘The Invention of Man’, is available on my website. And unable to find a publisher in these covid times, I will be publishing it myself very shortly. Another attempt in that regard, ‘Whatever it takes,’ went awry and became too much more an entertainment than a rant and so I have to set it somewhere betwixt, in a semi-detached limbo perhaps, within hearing of the cries and moans of those others that don’t quite meet their intended mark while being unable to afford an estate of their own. This is not a judgement. One may be better by some standard than the other, but, like children, I love them both. ‘Whatever it takes,’ will also be available shortly. Judge for yourself.

Whatever it takes: a journal, is essentially finished.

It is, in fact, a novel in journal form. And of course, something like this is never complete until you croak. But I have done very little during the last six months except re-write. It is essentially the same story it has been for almost two years now, but different. I am inordinately pleased with the result, which probably means the worse. But I hope not. There can’t be too many more of these lurking around my soul.

There are, in fact, a dozen of these novels that I have finished in the past twenty years, and not published. Done but not finished. That is a ratio of about one out of three. There is always a reason, and explaining such things is boring, even to me. But this one will be published—is being published. I have a cover picture—many versions of that same picture which I have culled to finally settle on the one. And I have the book itself. What more is there? Well, that is a question of my being able to handle the latest version of the Amazon/Kindle directions. I have never done this easily. Follow directions, I mean.

As in the past (with only two exceptions) this story is quite different in the telling than any of the others. That is the easy part—the part I enjoy dealing with. Fabricating a better narrative lie is far easier than building a better mousetrap. If it is good, it builds itself. This one does not fit into any particular genre (though most of the others did not fit well into those procrustean beds in any case).

When the copy editing is complete, and the cover photo finally decided upon, and the struggle with Amazon concluded, I will begin posting chapters here each week one at a time. For those who are impatient with the process, I will have copies available here for purchase, probably in September.

It is not what you think it is

There is an old saying, too often ignored as old things often are, that there is nothing new under the sun.  The Bible says it this way in Ecclesiastes: What has been will be again, what has been done will be done again; there is nothing new under the sun.

Each of us can only see what is in front of us. All else is imagined. This is especially true of what we see on television, or in the movies, or on the internet. All of that is only what someone else imagined, and we either adopt it as our own, or not. How much of it is true, is another problem. How much of what we see with our own eyes, or hear with our own ears, or feel with our own touch, is actual or imagined?  That problem alone can keep us quite busy without even considering what we encounter through artificial means such as the internet. And both of those are compounded by our understanding and misunderstanding of words. But, without words, we can comprehend nothing—we are just biological matter and quickly become food for the worms.

Not being particularly brave, I settled early on into that problematic realm of words. Actions, making use of the words I found to be useful, could be dangerous and had to be done with deliberation—to be considered in advance with as many words as possible. A novel, perhaps. It is for that reason that I am in awe of someone of the caliber of an Elon Musk—allowing, to begin with, that he is of a unique caliber—in that he leaves me unable to comment coherently. But genius is also a burden. I imagine that whatever modesty he has is as struggled for as are his best ideas. And I cannot imagine those.

I enjoy listening to the words of mere geniuses. Because of technology, I can listen to many who would otherwise be beyond my awareness. Their level of perception is higher than my own, they have climbed the mountain, so I listen and try to catch a glimpse of what they see. But I think of Elon Musk as a sort of Genii. Of that higher order that is otherwise only found in mythology. And as some jinni might be, I imagine that he has been summoned by someone to help us find our way.

Technology, and the use of machines, happens to be our current thing. It is the means by which we interpret our universe today. But it is not the only way. There have been such jinn as Musk before, interpreting the human universe through other means. In one particular age that I am aware of there was Bernini, Michelangelo, Caravaggio, and da Vinci. The universe they saw, and made their fellows aware of, transported the mind of man from a world of mud and stone all the way to St. Peter’s Basilica in Rome.

Genius does not come unbidden. The genie remains in the bottle unless it is wanted.

Our age must ask for this. If we deny the chance to reach for the stars and turn back instead to the safety of an imagined past, which is just as unreal now as any chance to walk on Mars might be, we will have to live with the consequence for generations. I don’t believe that our past, or our behavior then, offers any new hope for my children or their children’s children. I must look for the genius to save us from our worst mistakes while we bicker over words.

Allowing for the limits of our perception, and of the words we use to understand that awareness, remembering that ‘there is nothing new under the sun’ is not to deny innovation, but to accept it as part of our inheritance. What we think the future might be is very likely just a reflection of the past. Mars has always been under the same sun. Technology may be ingenious, but the laws of physics have not been altered to suit anyone. We must summon the future.  The future is not what you think it is. But perhaps it is what you want it to be.

A skip of time

         This was, she said, a skip of time. She called it that, as if I would understand, which I did not. I was sixteen then and dumb as a knuckle. I had come in from the heat outside and found her in the shadows of the living room, staring oddly out the window.

         “What are you thinking?”

         “About a day like this.”

         “What do you remember about that day?

         Sitting in the rocker, her head tilted to the side, she combed a part of her hair into a single darkened flow of black and gray and silver, down below the seat of the rocker, all the way to the runners; and the comb was silver and caught at the light and looked as if it had left some of its color behind with each stroke.

         “I walked up onto the mountain,” she said,” above the corn field, where the land turned up beneath the pine. It was a hot day then and the sweat tickled me and I wanted the shade.”

         I knew that the hair had reached the floor when she stood, but she had finished with that, and already turned a part of it into a thick rope, and twisted that much behind her head with several pearl headed pins to hold it in place. Now she sat and braided what remained.

         I asked her what it smelled like. This caught her attention, and she stopped the comb mid-way and looked at me with surprise. She was given to the importance of smells—cooked by smell and judged what the day would be by its smell, the first thing in the morning.

         “There was okra in the field there beside,” she said, “and that was what I smelled all the way up to the pine. Sweet in the sun. I remember that pretty well too. And then I could smell that dog but I didn’t know it was him yet because I had never smelled him before. And that was when I heard the shot, and the echo off the mountain, and saw my Daddy striding for me from the house. He still had his white shirt on because he had been to the bank and I’d seen his truck come back but not him until then and that shirt was a terrible white in the sun and he was not wearing his Sunday pants so those were the dun brown ones and stained from field work. I smiled at him, mostly I think because he looked so serious. He reached where I stood and stopped to hold my shoulders but he had no words just yet. His eyes were black and serious. His hands were big and his fingers bent in around the bone. And he finally said, ‘Did he touch you?’ and I said, ‘Who?’ and he said, ‘That dog’ and pointed back into the pine and there the body of the dog lay with his eyes still open but he was dead. I could see the black of the blood on his shoulder and his head was to the side. Daddy had kilt him with the one shot which would have been a brass casing and cost ten cents so he wouldn’t want to waste another.”

         She started combing again, and braiding parts of it divided by arthritic fingers, She hadn’t answered her father’s question yet so I asked it again.

         “Had he touched you?”

         “No. But I found out later that he did bite another dog at a house up the road, and that boy, his name was Struther, he cried like he had been belt-whipped when his daddy had to shoot that dog too. Never saw Struther again after that day. He was a good boy all in all. Cute as a button and I already had my eye on him, but Momma and Daddy put me on the train that very Monday to stay in Canton with my Aunt Jean…But then she never got the letter and she was already down to Gaffney to work at the mill there so I took a room with Mr. and Mrs. Burk and you know all of what happened then.”

         “Did they send you away on the train because of the mad dog?”

         “No. No. It was because they had to sell the property to the bank. They were going to move up to my uncle’s house in Chimney Rock, and those folks had the room for my sisters but not for me. Those girls was too young anyways. I was already fifteen and big for my age. I already knew everything I could about sewing by that time and I had even run my mother’s Singer machine for a while before she sold that and so they took me on down at the mill in Canton to sew the  flour sacks and that was what I did until they needed someone to work on pants and shirts and by the time I was sixteen I was a full-on seamstress and getting a dollar and a half a week where my Aunt Jean had never earned more than a dollar.”

         My mind was still on that dog.

         “So that dog was rabid and coming down at you and you never heard him but you smelled him?”

         “I smelt him like he was right next to me. I remember it. One minute it was the okra and then pine-shade like cool water in that heat and the next it was spoilt meat.”

         “That is some memory.”

         “Just a skip of time.”

Leaves of frost have grown upon my window

And bear the morning sun in rainbow hues,

Where brief months before the shadow

Of green oak danced in the light, as elves might

In a frenzy, trapped by sudden day against the glass.

What can this mean to a common life?

Of what importance can the passing of seasons be,

Shared as they are by all to see?

Talk of weather and the better times that were to be.

And consider the present as a gift you see.

Reading the map of age

Watching your parents grow older was only the hardest thing you ever did.

Now, you wear this mask of age pretending to know something more.

But you know less now—forgetting more along the way—than you did before.

You were stronger then. Sleep could be missed. The day was always young.

Hard to say now just what I have to say for myself. I was never as brilliant as Mamet.

Always too slow of thought and tongue. Never as mad as Pynchon or facile as King.

But my heroes were always authors. The artful writer, not the brave soldier or knight.

And matters of actual life and death were always set aside for what might have been.

You saw in your father the man you might be, in your mother what you should do.

You knew from their faults what should not be done, yet you might do it all again,

So, you denied them, and remade your soul, as if it too was a figment of imagination,

And not the fruit of their own loins, their hope and the product of their best wish.

With trepidation you look back. Is it a pale landscape there, littered with dark shapes?

You feared that dream all your life. Has it come true now, or is some color there yet?

Do you remember too little now, and recount only what you have recalled before?

But that does not make it true. Repeating a falsehood does not make it true.

What is true is what you see around you here—the detritus of a life. Was it good?

Did you do better than you might; or ever “risk it on one turn of pitch-and-toss?”

Or do only what you could? Did you then start again, or complain about the loss?

You hide now behind this mask—a map of age—but on this road, you are here.